Nile is amazing.
For example, we’ve been talking about this stained glass window that she was to make for me for years and years, as it simmered and stewed in the backs of our minds, and just when the lady is full tilt ahead with nursing duties and shop duties and music projects and on and on, she goes and whips this business out in her free evening time over at Cradle of the Sun. It is so bright and juicy in real life, I can’t begin to show it off here. Plus the diamond center of the diamond center throws rainbows all over the room. R.I.P. Michael, girl. Y E S. It is.
Thanks so, so much to everyone who’s lent their hands, backs, and words of support to the new shop space. We’ve had such a great turn out each Saturday, in addition to nights, lunch breaks, and times between, which really makes all the difference.
It is such a thrill to be able to build a place with all our friends. I think we’re finally reaching the stage where the daily work is no longer so yucky and tedious, and is more significant and awesome. We’re getting there….
Thanks + Love!
I can totally see this drum circle in my mind now, and Wowsa, if ever there was a good reason for a perpetual drum circle in my mind, it would have to be lesbians in formation around fancy purple turbines, doing their part to preserve the well-being of flying creatures whilst infusing their special energy into the power grid.
Thank you, thank you Wendo. And thank you Salem who found this first. Now where is this farm, exactly?
Erin Elder is a super rad friend of mine who does archivist and activist work with commune building, land use, and art practice. She also gave me the best kitchen sink haircut I’ve ever received, which I’ve since lamentably butchered. Indeed my new tiny, tiny bangs that have been kind of bringing me down these past few days. That is, until Erin shared with me her excellent new blog project called Red Legacy. What a trove of information! And it’s only beginning….I’d like to offer up the new Gravel & Gold as the site of ALLOY 2009. Maybe the conference will serve as reason enough to bring her back to us after she’s through schooling Colorado.
The Perfect Rocker, crafted by Espenet aka Arthur Carpenter. Walnut, 1970. Oh Yeah.
Happy Birthday to my gorgeous mama Lee. She’s top right, looking satisfied, squirrelly, and sporty-on-the-go, surrounded by her parents, sister, and brothers in what looks to be my aunt’s kitchen sometime in the mid-eighties. I hope you have just such a day today, Mama.
The “Families” logotype was designed by Herb Lubalin, via Hi + Low, and it clearly served as some sort of stylistic inspiration for this Christmas card set up.
I’ve been researching tile lately, which generally leads me to Heath. I took a tour of their factory over in Sausalito recently—photos and terrific anecdotes to come.
But today I was led to Jan Vormann‘s brilliant lego integration called Dispatchwork.
Would it be wrong to lay actual legos as tile? Rather like the old superglue a penny to the sidewalk, watch the greedy fellows try to pry it off gag.